Thursday, 4 April 2013

Only know you love her when you let her go...

Here are three songs that I've been loving for ages that absolutely WILL be big hits in this country eventually, but for now are taking rather a long time to crossover!

Passenger - Let Her Go


Already a #1 hit in Australia, Ireland, Belgium, Denmark, Finland, Sweden, Germany, Switzerland, Holland and Austria, British singer Mike Rosenberg (aka Passenger) has become famous everywhere else before he has in his home country! Let Her Go is a lovely little song with a singalong chorus and emotive vocals that will obviously be one of the biggest hits of the year when radio finally decide to start playing it. Vocally he sounds like a cross between James Blunt, Ed Sheeran and Ben's Brother but he has a sweet charm to his voice that really aids the unique selling point of the song. Watch out for this!

Icona Pop feat Charli XCX - I Love It


Feisty Swedish duo Icona Pop's I Love It, co-written by British singer Charli XCX, has been out in their home country for almost a year now, becoming a monster hit there in 2012. Since then it has become a huge hit in Australia, Belgium, Germany, Ireland, New Zealand and Switzerland and is currently climbing the iTunes top ten in the US, which means that in a month or two it will be absolutely massive in the biggest country in the world. The UK will surely follow suit. It's a bold, brash, in your face pop anthem that is like nothing else out there right now and that will surely help it to stand out!

Imagine Dragons - It's Time


American indie/rock act Imagine Dragons have been compared to The Killers and look set to make it big with their debut album Night Visions, which was finally released in the UK this week. Previous single Radioactive has already been in the UK charts for months and is looking set for a new peak this week but It's Time has been chosen as the next single and has been recently added to the Radio 1 playlist which will help its cause. 2013 has so far seen something of an indie/rock revival in the charts with the likes of Bastille, The 1975 and The Lumineers scoring huge hit singles and Imagine Dragons may well end up being bigger than all of them. Their 'hands in the air' anthems are radio friendly without being cheesy and should appeal to a wide audience.

Tuesday, 26 March 2013

The cult of Ant & Dec

On Saturday night Ant & Dec resurrected their old PJ and Duncan guise to perform their 1994 No.9 hit Let's Get Ready To Rhumble on their hugely popular Saturday Night Takeaway show. Three days later and the song is pulling away from the competition on iTunes and looking quite likely to give the duo their first ever UK No.1 single, or at least their second top three hit!



2013 has proved to be the year of the pop reunion, with ITV2's The Big Reunion reuniting Liberty X, B*Witched, 911, Honeyz, Blue, Atomic Kitten and 5ive. The latter three acts appeared as part of a medley on Saturday Night Takeaway and this clearly spurred on the boys to take part in their own reunion! This isn't the first time that the boys resurrected their act, they did the same on CD:UK's 100th show in the early 00s. This of course predated iTunes and with no CD single available to buy and a far smaller audience, it had no impact whatsoever on the charts. Fast forward to 2013 and the instant gratification available to eager music downloaders and the song has found itself more in favour than it ever has been before, selling 35,000 copies in two days alone according to the Official Charts Company! The Saturday night performance of the song was even more impressive considering that they got back into their old PJ and Duncan gear, complete with baseball caps and tracksuits!

Ant & Dec first met on the set of northern teen drama Byker Grove where they played the characters PJ and Duncan and quickly became best friends. They had a successful music career in the 1990s, Let's Get Ready To Rhumble becoming the first of eight consecutive top 20 hits under that name before they switched to their more famous moniker of Ant & Dec to score another four top 20 smashes including the excellent late November 1996 hit, When I Fall In Love, complete with Ant's famous rapping and Dec's dulcet tones. 



The duo then moved on to front ITV's new Saturday morning children's show SM:TV and it's musical sister show CD:UK, with Cat Deeley. Their popularity skyrocketed from there and they have been Britain's most famous presenting duo ever since, winning awards left, right and centre for their work on shows such as I'm A Celebrity Get Me Out Of Here, Britain's Got Talent, Pop Idol and Ant & Dec's Saturday Night Takeaway. They returned to music in 2002 to record the official World Cup song for England, We're On The Ball, which peaked at No.3 in the charts. But 11 years on from that and 19 years on from the original release of Let's Get Ready To Rhumble, Anthony McPartlin and Declan Donnelly may just follow the Saturdays a week earlier in achieveing something that had so far always eluded them, a No.1 single in the UK! Watch them wreck the mike...psyche!

Tuesday, 19 March 2013

20 best songs of 2013...so far!

Almost a quarter of a way through the year so I thought I'd do a little rundown of my 20 favourite songs of the year so far!

1. Avicii vs. Nicky Romero - I Could Be The One
2. Frida Sundemo - Snow
3. Anton Ewald - Begging
4. will.i.am feat Britney Spears - Scream & Shout
5. Nadine - I Will Be Strong
6. Janet Leon - Heartstrings
7. Cascada - Glorious
8. Jógvan Hansen and Stefanía Svavarsdóttir - Til þín
9. Calvin Harris feat Tinie Tempah - Drinking From The Bottle
10. Ellie Goulding - Figure 8
11. Margaret Berger - I Feed You My Love
12. Bastille - Pompeii
13. Ralf Gyllenhammar - Bed On Fire
14. Zedd feat Bright Lights - Follow You Down
15. Zedd feat Foxes - Clarity
16. Verona - Fallin' In Love
17. Passenger - Let Her Go
18. Tensnake & Syron - Mainline
19. State Of Drama - Falling
20. Röyksopp feat Susanne Sundfor - Running To The Sea

So a strong showing from the musical haven that is Sweden, represented by dance act Avicii at #1 as well as pop acts Frida Sundemo, Anton Ewald and Janet Leon and rock acts Ralf Gyllenhammer and State Of Drama. Elsewhere German dance acts Zedd and Cascada, Norwegian stunners Margaret Berger and Röyksopp, British indie-pop acts Ellie Goulding and Bastille and various other random songs hailing from Iceland, South Africa, the US and the Czech Republic all make an appearance. A very international few months then and a promising sign of things to come for the year. 

Wednesday, 27 February 2013

The Big Reunion Live: Review


Last night I was at London's Hammersmith Apollo for the much touted 'one off comeback gig', the culmination of the months of hard work and preparation by the six acts on ITV2 show The Big Reunion. Since my last post about the show there have been some changes - firstly an arena tour was anounced, and this one off gig was now just a warm up for things to come. Secondly, boyband Blue belatedly joined the lineup despite having been reunited for a few years now having represented the UK at Eurovision in 2011 with I Can (they came 11th since you asked, top five in the public vote but the juries pulled them down). They've also been enjoying success on the continent with recent single, the ballad Hurt Lovers, going top ten in Germany a few weeks ago. Nevertheless Blue were in attendance alongside the recently reformed 911, B*Witched, 5ive, Atomic Kitten, Honeyz and Liberty X.

The show lasted for almost exactly two hours and was absolutely brilliant. 90s presenting legend Andi Peters introduced the acts onto stage and 5ive, now technically 4our since Jay didn't rejoin the lineup and the much touted new fifth member never came to fruition, kicked off the show. Before the concert I was wondering how many songs each band would sing and what their choices might be. Each band performed either three or four songs each, a medley of two hits in place of one full song if they preferred. Each act took it in turns to come back to the stage and perform a song, before introducing the next one to come on. 5ive kicked off proceedings to a rapturous reception from the elated audience with a medley of their Queen cover/collaboration We Will Rock You and the 1998 hit Everybody Get Up. Later on they sang the excellent Keep On Movin' and provided the penultimate performance of the night with If Ya Gettin' Down. I'd have switched the order of those around seeing as the former is arguably their signature track but I'm just nitpicking. 5ive got by far the biggest crowd reception of the night and you suspect would comfortably sell out a few arenas were they to tour by themselves as many of their big hits were left untouched. They were hugely energetic and seemed genuinely pleased to be back on stage.

Irish girlband B*Witched were the second act to perform, and did so with the 1998 classic C'est La Vie! It was pretty amazing to see this performed live, it came out when I was in primary school and had never even been to a live concert before, I certainly didn't expect to ever see this song in a live setting and the girls looked great in a more mature take on their old double denim look. The Irish jig middle eight remains amazing and it was great to see them go all out with it. Later on they sang Rollercoaster, which was possibly my favourite performance of the evening, complete with the cheesy dance routine and state of the art (read: not really) rollercoaster graphics accompanying them on screen! And their third performance, complete with umbrellas and falling confetti, was their fourth No.1 single, Blame It On The Weatherman. It's a shame that the gorgeous To You I Belong was left out but all credit to them, they gave three excellent 'event perfomances' and were one of the best acts there in my opinion.

Boyband 911 who performed third predated the other bands by a few years but their biggest hits all came in the 1997-1999 period so fitted in with the show and target audience nicely. They visited my primary school back in early 1998 and it seems strange to think that I last saw them live fifteen years ago! They were something of a revelation. To say that they were my least anticipated act of the evening, Bodyshakin' was fantastic, complete with lots of stunt dancing and jumping around. For a second you forgot that the trio were either about to turn 40 or were already long past it. Their 1999 chart topper A Little Bit More provided an unexpected mid-tempo audience singalong moment whilst Bee Gees cover More Than A Woman was great fun. Lead singer Lee Brennan was on point and sounded fantastic throughout whilst Spike and Jimmy have still got the moves!

Liberty X's success came quite a few years after the other bands here, they formed in 2001 and had hits throughout the 00s. Understandably, there was therefore less nostalgia appeal here but they still gave a very credible set of performances and looked great. The classic Just A Little went down very well whilst the medley of debut hit, the brilliant Thinking It Over and their Mantronix cover Got To Have Your Love was brilliantly executed. Their final performance was the Chaka Khan cover/Richard X mash-up Being Nobody which is exactly a decade old but still sounded as fresh as ever. It's a shame that the fantastic Song 4 Lovers was missed out, but understandable as it wasn't as well remembered as those songs were.

Girlband Honeyz were by far the least anticipated act of the evening from an audience's point of view. Admittedly they were in a lower league to the other acts here success wise, having never scored a top three single or top ten album in the UK. That said, I always thought that they were great and lead singer Celena Cherry delievered what I thought was by far the best vocal of the evening. It's just a shame that a huge chunk of the audience took the opportunity to sit down or go to the toilet whenever they performed! They kicked off their set with the excellent Finally Found whilst their second performance was a medley of the forgotten 1999 single Love Of A Lifetime and the 1998 classic End Of The Line. The former was met with a blank expression by most of the audience, I can't have been the only person that remembered and loved this song? The latter was great though, especially the biting lyric 'I deserve some damn res-pect' which we all had a good singalong to! And kudos to them for getting the old blue coats from the video out again, very nice touch! I let out a huge cheer for all of their performances anyway, because nobody else seemed to want to! They rounded off their set with the feisty 2000 hit Won't Take It Lying Down which had a brilliant stage set up, and the crowd seemed to be more into this one.

Boyband Blue were an unexpected addition and a lot of the crowd let out a gasp when they were announced to be coming on, clearly the word hadn't spread to everyone! With so many hits to choose from, they eventually settled on debut single All Rise, 2002 anthem One Love and its follow up the chart topping ballad Sorry Seems To Be The Hardest Word, albeit without Elton John. They were vocally sharp, Lee Ryan especially and looked more slick and professional than the rest of the acts but it was probably no surprise considering they've actually been back together and performing again for years!

And Atomic Kitten were the last to perform, so arguably the headline act although they were probably on par with 5ive (somebody had to go first and last!). Their first performance was debut single Right Now which is incredibly well remembered for a flash in the pan No.10 hit. It was reissued and got to No.8 in 2004 so probably picked up some more fans then. 2002 summer chart topper The Tide Is High (Get The Feeling) was their second performance. This of course originally had Jenny Frost on vocals so Kerry Katona, who has now rejoined the band having been with them for their first few hits, had to learn the lines for this one! And they closed the whole show with the huge 2001 No.1 hit Whole Again which actually sounded really anthemic in a concert setting. I'd always wondered how on earth it became so big in the first place, being such a simple sounding pop song which turned their career around from on the verge of being dropped to being the UK's biggest girlband for a few years! Kerry had left the band just before that song became huge but radio still used to play the version with her vocals on it, so it was almost heartwarming to hear her sing/speak the 'for now I'll have to wait, but baby if you change your mind...' middle eight.

At the end of this emotional performance everybody returned to the stage to reprise a final chorus of Whole Again and it was quite a spectacle to see all of these classic bands performing on stage together. Overall it was an absolutely excellent night, packed with nostalgia, great songs and a very enthusiastic largely 20 and 30 something audience, who like me would have been at primary school or high school when these artists were huge the first time around. It was a slick production and didn't feel cheap and tacky at all. I look forward to watching it on the TV at the end of March and everybody going to the arena tour will have an amazing time, it was well worth the decade or more wait to see these acts all over again! Now onto series 2 and let's hope for S Club 7, Hear'say, A1, All Saints, Another Level and Precious!

Friday, 1 February 2013

The Big Reunion: more 90s/00s pop hasbeens return!

ITV2's latest reality show, The Big Reunion, kicked off last night. It follows the story of six late 90s/early 00s pop acts that imploded for one reason or another and are now getting back together for a one-off live concert at the Hammersmith Apollo in London at the end of the month. I've managed to get tickets to this once in a lifetime event and shall endeavour to review the spectacle once I've returned. The first show was an intriguing look at the rise and fall of the six acts featured, namely Five (5ive), 911, B*Witched, Atomic Kitten, Liberty X and Honeyz. Between them these acts managed more than ten UK chart toppers, despite none of them ever really being in the same league as the likes of Steps, Boyzone, Take That and Spice Girls, the a-listers of turn of the millennium pop who have all staged successful comebacks in recent years. Spice Girls had a huge world tour, Boyzone and Steps scored #1 albums and sold out arenas and Take That have rewritten the rulebook in 'how to mount a successful comeback'.

These six acts were more the second rung of UK pop, the type of acts whose singles would generally enter high thanks to a loyal fanbase but drop down the charts quickly. However, all six of them hold a place in my heart to some extent and the concert should make for a fascinating live experience and it will be interesting to see if they actually sing live! Rather than going into great detail about each act, as this will be documented during the show's run, I'm going to pinpoint my personal favourite single from each act, they all had at least one that I loved. Feel free to comment below if you disagree, I know I've made some unorthodox choices in some cases!

B*Witched - To You I Belong


Starting with the formerly denim-clad Irish quartet. To You I Belong was the girls' third UK No.1 single, topping the charts in the week before Xmas 1998. A stunning Celtic ballad, I'd actually comfortably place this inside my top 20 songs of the 1990s, gorgeous.

911 - Private Number

Before the crap flop Wonderland, 911 rounded off their career with a trio of cover versions that all went top three in the UK, their excellent take on More Than A Woman, their less good version of A Little Bit More (their only UK #1) and this fantastic version of the William Bell song Private Number, which featured uncredited vocals from Natalie Jordan. It went to #3 in May 1999 and deserves some attention!

5ive - Until The Time Is Through

One of a number of boyband singles to be denied the UK #1 by Cher's mammoth hit Believe (see also E-17's Each Time and Boyzone's I Love The Way You Love Me), 5ive went to No.2 with their first ballad release in late 1998. Clearly the template for Westlife's opening few singles, if you didn't already know that this was by 5ive, you'd think it was by the Irish boyband. A classic sleek string laden ballad penned by Swedish legend Max Martin, it's one of their most overlooked singles.

Atomic Kitten - Eternal Flame

During 2001-2004, Atomic Kitten were actually probably my favourite group, despite being a bit MOR I actually preferred them to Sugababes and even early Girls Aloud material. That said, I only became a 'fan' once Kerry had left, so I'm not overly thrilled at the prospect of her returning over the brilliant Jenny Frost. Eternal Flame, their Bangles cover and second UK #1 was my favourite of theirs but my favourite song of theirs with Kerry would be either Right Now or Follow Me. I always found Whole Again hugely overrated, it's rather plain after all.

Liberty X feat Rev Run - Song 4 Lovers

Liberty X's final top five hit, the uplifting Song 4 Lovers was released in late 2005. A brilliant hybrid of pure pop (which wasn't exactly ruling the charts at this time), an inspired rap from Run DMC's Rev Run and a bit of gospel, it's one of the best pop songs to come from that era, even if it's not exactly well remembered. In fact it wasn't even mentioned in the Liberty X section of The Big Reunion last night!

Honeyz - End Of The Line

Of all the acts featured in The Big Reunion, the presence of the Honeyz surprised me. The only one of these acts to have not scored a UK #1 single, they seemed to be in a slightly lower league to the rest. That said, I always thought they were pretty great - all five of their top ten singles are underrated and forgotten classics, espeically their debut single Finally Found and the ever so slightly better End Of The Line. 

So fingers crossed that most of these songs get performed on the night, although I wouldn't actually be surprised if most were missed out in favour of the likes of C'est La Vie, Bodyshakin', Keep On Movin' Whole Again, Just A Little and Finally Found - the signature hits of those respective groups! The TV show should continue to make fascinating viewing though!

Sunday, 20 January 2013

Pixie Lott 2.0? Tich, Gabrielle Aplin and Miriam Bryant!

I 'discovered' Pixie Lott in 2008 via her MySpace page (remember that!). The page had only had a couple of thousand views and I assumed that she was another musical nobody that I'd stumbled across accidentally. Nevertheless, I loved the demos on the page, especially Boys & Girls and to a lesser extent Mama Do. A year later, said demos had been spruced up and both songs went to No.1 in the UK, much to my surprise as we hadn't had a no bells and whistles British female pop star like that since the days of Billie Piper, Louise and Martine McCutcheon in the late 90s/early 00s. Pixie brought simple fun generic pop back to the teen masses of the UK and she went down a storm on radio, especially with her ballad Cry Me Out and her third chart topper, All About Tonight in 2010. With Pixie absent from the music scene for a while now, her last top ten hits, Kiss The Stars and Bright Lights, coming a year ago, there's a gap in the market for a pure pop female star. So here are three of the main contenders;

Tich



Young Northampton singer Tich has already supported Pixie Lott, and others, on tour and it's easy to see why she was picked, they have a lot of similarities, vocally and musically. I listened to a couple of clips of her songs at the start of December and pre-ordered her EP on iTunes straight away. Her highlight thus far is the string laden piano ballad Breathe In, Breathe Out. The EP managed to go top 20 on iTunes when released which bodes well for her future releases considering a certain Ed Sheeran was in the same position this time two years ago before making it huge six months later. She just needs her 'The A Team' to come along and Tich is all set!

Gabrielle Aplin


Wiltshire born 20 year old singer Gabrielle Aplin has already matched Pixie's career opening with her debut major single, The Power Of Love, hitting No.1 in the UK! Not entirely similar musically, Gabrielle's music is far more piano ballad than Pixie's, they nevertheless both represent young British females that have come out of nowhere topping the charts! The Power Of Love's success was of course down to it featuring on the John Lewis Christmas advert so it will be interesting to see how her follow up single, the sweet acoustic ballad Please Don't Say You Love Me, will do when released next month. Gabrielle has been on the scene for quite a few years now and only just finally broken through, with previous EP's - Acoustic, Never Fade and Home, not particularly catching on. Here's hoping that John Lewis have turned her fortunes around and that her debut album, English Rain, can be a major success for the rising talent!

Miriam Bryant


This is technically cheating because Miriam is Swedish but the 21 year old singer is definitely a contender for 'nu Pixie Lott' if she ever manages to break out of her home country. Named by Sweden's biggest newspaper, Aftonbladet, as the #1 artist to watch during 2013, Miriam's star is rising very quickly. She first came to my attention with the decent Finders Keepers last year but new single Push Play is far better. A great pop song with a brilliant post-chorus instrumental, try to imagine Pixie NOT singing this. It's like it was written for Miss Lott. Quick Pixie, steal this song and use it to launch album number three before Miriam beats you to it and smashes worldwide with this infectious pop gem!

Overall, it seems like all three of these artists could have varying degrees of success this year. I'm not sure if any will reach the dizzy heights of Pixie's career peak, who knows, maybe she'll return herself and bag herself a fourth UK No.1? Stranger things have happened!

Apt for the weather: Frida Sundemo - Snow!

Swedish songstress Frida Sundemo has been on my radar for a while now with each song of hers that I hear getting better and better. The punchy pop of Indigo was a treat for the end of 2012 but she's back with what is easily my favourite song of 2013 thus far, and enitrely suitable for the current weather. It's Snow!


A glistening wintery electropop song, it's all very Robyn in atmosphere, Frida's sweet vocal style also reminiscent of the Scandinavian superstar. Snow starts well with excellent verses but it's the chorus where it first starts to excel, the melody progression right at the end of the chorus is excellent, as are the stuttering vocal production techniques that she employs post-chorus which are perfectly in sync with the backing track. The glorious music and Frida's emotive vocals make the middle eight something equally special before it all thunders back to that chorus, some excellently intertwined male ad-libs and then a stunning finish where that amazing melody finally lays to rest. Everything about this song is perfect.