Wednesday 29 January 2020

Tunes I'm currently loving // 2020 // Volume 1

1. Delta Goodrem - Let It Rain
2. The Fizz - The World We Left Behind
3. Linda & Taryn Bornman - Side By Side
4. Roddy Ricch - The Box
5. Patricia Kelly - Medicine
6. Alicia Keys - Underdog
7. Vanessa Amorosi - Lessons Of Love
8. Eva Tobin - 11:57
9. The Dumplings - Dla Nas KRS 0000 338 803
10. Erika Vikman - Cicciolina
11. Frida Sundemo - Gazelles
12. Pet Shop Boys - Will-o-the-wisp
13. Sheppard - Phoenix
14. Daya - Insomnia
15. Gareth Emery & NASH feat Linney - Yesterday
16. Lady Gaga - Stupid Love
17. Elisa Lindström - Ditt Hjärta I Min Hand
18. Julie Bergan & Seeb - Kiss Somebody
19. Bárbara Tinoco - Passe Partout
20. Gabrielle Aplin - Dear Happy


Wednesday 1 January 2020

Book review: Freak Like Me


I was recently sent a review copy of Freak Like Me and it's probably the funniest and most relateable book I've read in years, transporting me back to a glorious musical time that I basically still live in in my head.

The book is the true story of a teenage pop fan who, with a group of like-minded outcasts, witnesses the disposable but incredibly fun music industry of the late nineties and early noughties first-hand. It details author Malcolm McLean's escapades as he stalks and gets to meet some of the biggest popstars of the day.

As the press release states: "This hilarious memoir is packed with scandalous gossip and poignant memories from the era of Nokia 3310s and dial-up internet, when chart positions meant everything and, if you wanted to know what your idols were up to off-screen, you had to track them down yourself!"

Malcolm was born in suburban Surrey in 1983. I was born four years later in Brighton in 1987, and while I didn't get up to any of the wild antics that he did, I did live and breathe the iconic 1997-2002 era of pop music covered in depth in this book, and was also bullied at school, with the charts and the pop (and dance) music of the era as my main escape.

But Malcolm went many steps further than I did with his pop obsessions. He even details how he painted his bedroom radiator in leopard print in tribute to an album cover of his beloved Eternal.

Many memories I thought only I had and songs and artists that I thought everybody else had forgotten are recalled in this book, and there are also numerous brilliant mentions of Eurovision, including how our 2006 entrant Daz Sampson started out, as part of cheesy Eurodance rap act Bus Stop in 1998.

Malcolm discusses at length his near weekly trips to not-so glamorous Borehamwood to watch Top Of The Pops, with details on performances and surrounding anecdotes of the stars involved that made me laugh out loud (who could forget Destiny's Child's flop duet with Corrie's Matthew Marsen, or how eight-year old kids across the country were naively singing 'I'm horny all night long' that summer).

He even saw Geri Halliwell's last ever performance with Spice Girls before the split in 1998 - although it wasn't on Viva Forever, as is widely reported, but was in fact as part of the England United supergroup on their dull MOR official World Cup anthem of that year. Who knew!?

This is a brilliant book and one that I wholeheartedly recommend to any pop fan, or anybody who grew up through the era.

It's currently available on Amazon for £7.19 while the Kindle edition is a steal at £2.99. Don't miss it.